I’ve been spending a lot of time lately with liquid polymer clay, this time playing with stained glass effects. In my previous tests of liquid clay, I checked to see which brand cured the clearest. Consequently I determined Kato Liquid Medium was really the best product for this set of samples.
I really lucked out two years ago, and ran across a sale on the suncatcher forms. They are glass, shaped like stars and circles, and already have a hole drilled in the top. They were on discount at Pat Catan’s, so I snapped them up. (My motto is buy now, figure out what to do with it later!)
I smeared a thin layer of liquid clay on the glass, and then used black Premo that I extruded for the “leading”. I baked this first step to make sure it would stay put without distorting. Then I mixed up my LQ and alcohol inks (I used Pinata, but you could use Ranger) and filled the areas using a toothpick. Remember, Kato liquid is runny- so you have to be careful. Really TLS would be easier to manage in this application, and I think I’ll use that in the future. So I filled up the little areas, and baked it again.
The treble-clef example I did on memory glass, and made a “frame” from another piece of extruded clay.
The “forever” hearts piece was done on white clay instead of glass, but constructed the same way. I added some micro beads for interest, and then framed out the piece with extruded clay. I added about 3 more layers of liquid clay to fill the entire frame, and made it look more like it was under glass. Fun!
(I’ll be teaching this technique at Stamplistic in May 2008. For more information, check out my “Craft Classes with Jenny” link.)
Yup, it’s officially the vernal equinox, although you’d be hard-pressed to tell it from the fresh snow on the ground here in NE Ohio. Nevertheless, spring is on it’s way… there are tender shoots of crocus, tulip, and daffodils poking their heads up in my yard.
